within the largest good sense, the idea or rehearse of every of several sets of painters for the very early 1900's, or of the groups taken collectively, whose work and ideas have commonly a propensity to effect contrary to the medical and naturalistic personality of impressionism and neo-impressionism. In a strict sense the term post-impressionism can be used to denote your time and effort at self-expression, versus representation, shown in work of Cézanne, Matisse, etc.; but it is more broadly always consist of cubism, the idea or training of a movement in both artwork and sculpture which lays stress upon amount due to the fact crucial attribute of things and attempts its expression by way of geometrical numbers or solids just; and futurism, a theory or practice which attempts to put the observer within the photo also to represent simultaneously numerous consecutive movements and impressions. In practice these theories and types of the post-impressionists change with great rapidity and tone into one another, to ensure a picture is both cubist and futurist in personality. They have a tendency to, and quite often achieve, a condition in which both representation and old-fashioned decoration tend to be completely abolished and a-work of art becomes a purely subjective appearance in an arbitrary and private language.