A song for 2 or three unaccompanied sounds, created in Italy in the belated 13th and early 14th centuries.
a quick poem, often about love, suitable for being set to music.
A polyphonic tune utilizing a vernacular text and written for 4-6 voices, created in Italy when you look at the 16th century and preferred in England inside 16th and early seventeenth centuries.
a component track.
a song for only a few unaccompanied sounds; from 13th century Italy
a polyphonic tune for around six voices, from sixteenth century Italy
a brief poem, usually pastoral, and appropriate become set to songs
somewhat amorous poem, sometimes called a pastoral poem, containing some tender and fine, though simple, thought.
An unaccompanied polyphonic track, in four, five, or even more components, set-to secular words, but saturated in counterpoint and imitation, and adhering to the old church modes. Unlike the freer glee, it's a good idea sung with a few sounds on part. See Glee.
A medieval poem or song, amorous, pastoral, or descriptive. The identifying characteristics regarding the madrigal are actually difficult to figure out.
A musical environment of such a poem.
A glee or partsong overall, aside from contrapuntal attributes.
an unaccompanied partsong for just two or 3 voices; follows a strict poetic type