engraving definition

  • noun:
    • The art or technique of one that engraves.
    • A design or text engraved on a surface.
    • An engraved area for publishing.
    • A print created from an engraved dish or block.
    • the training of incising a design onto a hard, flat surface, by cutting grooves involved with it
    • an engraved image
    • the skill of drawing songs notation at high quality, see Engraving
    • The act or art of making upon difficult product incised or raised patterns, figures, outlines, and stuff like that; especially, the art of making such lines, etc., inside area of material plates or blocks of wood. Engraving can be used for decoration associated with surface it self; additionally, for creating a genuine, from where a pattern or design is printed on paper.
    • whatever is etched; an engraved dish.
    • an impact from an engraved dish, block of timber, or other product; a print.
    • The work or art of cutting designs, inscriptions, etc., on any tough compound, as stone, metal, or lumber.
    • Specifically, the skill of developing designs by cutting, deterioration by acids, a photographic process, etc., at first glance of material dishes or of obstructs of timber, etc., for the intended purpose of removing impressions or images for the design so formed.
    • whatever is etched, or generated by engraving; an engraved representation, or an incised dish or block designed to be imprinted from: as, an engraving on a monument or a watch-case; a steel or a wood engraving.
    • an impact taken from an engraved dish or block; a print.
    • The taking of impressions from raised or incised seals has always been practised by civilized people. The goldsmiths of the Middle Ages and Renaissance in Europe used engraving in the decoration of their work, and were accustomed to take impressions from their designs. Such impressions have been traced to the twelfth century. Among the earliest examples of engraving, properly so called, on metal are about three hundred prints in the dotted style (manière criblée) in which black spots are relieved against white and white spots against black, which date from about 1450 a. d. The practice of engraving was encouraged by the use of niello in the decoration of metals. (See niello.) Undoubtedly frequent impressions were taken from niello designs. For making plates to print upon paper, copper and later steel were substituted for other metals. Engraving on copper was extensively practised by the great artists of the Renaissance, as Pollajuolo, Mantegna, Botticelli, and Marcantonio Raimondi in Italy, and Martin Schongauer and Albert Dürer in Germany. In France engraving on copper found its first development in the illustration of books, as in the architectural series of Jacques I. Androuet Du Cerceau. In the seventeenth century the largest development of engraving on metal, occurred about the powerful personalities of Rembrandt and Rubens. The influence of Rubens, especially, brought about the culmination of the art. After this period, engraving on copper and steel became universal throughout modern civilization. The special contribution of England to the art of engraving on metal was the development of mezzotint, which was, however, invented in Holland in the middle of the seventeenth century. Wood-engraving was brought to perfection by the large school of German artists of the Renaissance grouped about the court of the Emperor Maximilian I. The chief of them was Albert-Dürer who may still be considered the greatest master of the art. From Germany the art of wood-engraving was carried into Italy, and practised with a peculiar charm by the painters of the quattrocento and cinquecento. The father of the modern art of wood-engraving is Thomas Bewick of Newcastle, England (1753–1828). Previous to his time the practice was chiefly in black line, that is, a drawing in black lines was made upon the block and the portions of the surface not touched by the draftsman were cut away by the engraver. Bewick established the ascendancy of the white line, that is, the incision made by the engravers' tools. This change in point of view vastly increased the effectiveness and artistic interest of the engraved block. The principles of Bewick have been accepted by all modern engravers whose interest is artistic rather than commercial. As in the case of engraving on copper and steel, the development of wood-engraving in modern times has been great, but little has been added to the fundamental principles established by the older masters.
    • An engraved printing-plate generated by this process. See photo-engraving and photogravure.
    • a block or plate or any other hard surface that has been engraved
    • a print made from an engraving
    • making etched or etched dishes and printing styles from them
    • The art or means of the one that engraves.
    • A design or text etched on a surface.
    • An engraved surface for printing.
    • A print created from an engraved plate or block.
    • the practice of incising a design onto a hard, flat working surface, by cutting grooves into it
    • an engraved picture
    • the skill of drawing music notation at top-notch, see Engraving
    • The act or art of making upon hard material incised or raised habits, figures, outlines, and the like; specifically, the skill of producing such outlines, etc., within the surface of material dishes or obstructs of lumber. Engraving is used for design associated with the surface itself; also, for creating an original, where a pattern or design might imprinted written down.
    • That which is engraved; an engraved dish.
    • an impact from an engraved dish, block of lumber, or other material; a print.
    • The act or art of cutting designs, inscriptions, etc., on any hard substance, as rock, material, or lumber.
    • particularly, the skill of forming styles by cutting, corrosion by acids, a photographic procedure, etc., on top of steel plates or of obstructs of wood, etc., for the intended purpose of removing impressions or prints of the design so formed.
    • That which is engraved, or made by engraving; an engraved representation, or an incised plate or block intended to be imprinted from: as, an engraving on a monument or a watch-case; a steel or a wood engraving.
    • the feeling taken from an engraved dish or block; a print.
    • The taking of impressions from raised or incised seals has been practised by civilized individuals. The goldsmiths of this old and Renaissance in Europe used engraving within the design of their work, and had been used to just take impressions from their designs. Such impressions are tracked toward twelfth century. Among the list of very first types of engraving, correctly so-called, on metal tend to be around three hundred prints in the dotted style (manière criblée) by which black spots are relieved against white and white places against black, which date from about 1450 a. d. The training of engraving ended up being promoted through niello in decoration of metals. (See niello.) Undoubtedly frequent impressions had been taken from niello designs. To make dishes to print upon paper, copper and soon after steel had been replaced for any other metals. Engraving on copper ended up being thoroughly practised by the great musicians and artists regarding the Renaissance, as Pollajuolo, Mantegna, Botticelli, and Marcantonio Raimondi in Italy, and Martin Schongauer and Albert Dürer in Germany. In France engraving on copper found its first development in example of books, as with the architectural series of Jacques I. Androuet Du Cerceau. Inside seventeenth century the greatest development of engraving on material, occurred about the powerful personalities of Rembrandt and Rubens. The influence of Rubens, especially, brought about the culmination of the art. Following this duration, engraving on copper and metal became universal throughout modern-day civilization. The unique share of England into art of engraving on material had been the development of mezzotint, that was, but created in Holland in the seventeenth century. Wood-engraving was delivered to excellence by the huge school of German designers associated with Renaissance grouped about the court of Emperor Maximilian I. The main of those ended up being Albert-Dürer whom may be considered the greatest master of this art. From Germany the art of wood-engraving ended up being carried into Italy, and practised with a peculiar charm because of the painters associated with the quattrocento and cinquecento. The father associated with the contemporary art of wood-engraving is Thomas Bewick of Newcastle, England (1753–1828). Earlier than his time the practice ended up being mainly in black colored range, that's, a drawing in black colored lines ended up being made upon the block while the portions of area not touched because of the draftsman had been cut-away because of the engraver. Bewick established the ascendancy of this white range, that is, the cut created by the engravers' resources. This improvement in viewpoint greatly increased the effectiveness and artistic interest of imprinted block. The axioms of Bewick being accepted by all modern-day engravers whose interest is imaginative in the place of commercial. Such as the way it is of engraving on copper and metallic, the introduction of wood-engraving in our contemporary world has-been great, but little has-been included with the fundamental axioms set up by the older masters.
    • An engraved printing-plate produced by this process. See photo-engraving and photogravure.
    • a block or plate or other hard-surface that has been engraved
    • a print made from an engraving
    • making etched or etched dishes and publishing styles from their store
    • The art or manner of the one that engraves.
    • A design or text engraved on a surface.
    • An engraved surface for printing.
    • A print produced from an engraved plate or block.
    • the training of incising a design onto a hard, flat working surface, by cutting grooves involved with it
    • an engraved image
    • the skill of attracting music notation at top-notch, see Engraving
    • The act or art of making upon hard product incised or raised patterns, characters, outlines, and stuff like that; particularly, the skill of creating these types of outlines, etc., inside area of material plates or blocks of wood. Engraving is employed for decoration associated with the area it self; in addition, for producing an original, from where a pattern or design are imprinted in writing.
    • what is engraved; an engraved plate.
    • the feeling from an engraved plate, block of wood, or any other material; a print.
    • The act or art of cutting styles, inscriptions, etc., on any tough compound, as rock, steel, or wood.
    • Specifically, the art of forming styles by cutting, corrosion by acids, a photographic process, etc., at first glance of steel plates or of blocks of timber, etc., for the true purpose of taking off impressions or images of design so-formed.
    • That which is engraved, or produced by engraving; an engraved representation, or an incised plate or block meant to be imprinted from: as, an engraving on a monument or a watch-case; a steel or a wood engraving.
    • An impression obtained from an engraved dish or block; a print.
    • The taking of impressions from raised or incised seals is definitely practised by civilized men and women. The goldsmiths associated with the old and Renaissance in Europe used engraving inside design of their work, and had been familiar with take impressions from their particular styles. Such impressions are traced into twelfth century. Among the first types of engraving, correctly so called, on steel tend to be three hundred images into the dotted style (manière criblée) which black places are relieved against white and white places against black colored, which date from about 1450 a. d. The rehearse of engraving had been promoted by the use of niello inside decoration of metals. (See niello.) Certainly regular impressions were extracted from niello styles. In making dishes to print upon paper, copper and soon after steel were replaced for other metals. Engraving on copper had been thoroughly practised because of the great artists of this Renaissance, as Pollajuolo, Mantegna, Botticelli, and Marcantonio Raimondi in Italy, and Martin Schongauer and Albert Dürer in Germany. In France engraving on copper discovered its very first development inside illustration of publications, such as the architectural variety of Jacques I. Androuet Du Cerceau. Into the seventeenth century the greatest improvement engraving on steel, occurred concerning the effective characters of Rembrandt and Rubens. The impact of Rubens, particularly, created the culmination associated with art. After this duration, engraving on copper and metallic became universal throughout contemporary civilization. The special contribution of The united kingdomt toward art of engraving on material was the introduction of mezzotint, which was, but created in Holland in the seventeenth century. Wood-engraving ended up being brought to brilliance because of the large college of German designers of Renaissance grouped in regards to the courtroom of Emperor Maximilian we. The main of those was Albert-Dürer whom may remain considered the greatest master of the art. From Germany the art of wood-engraving had been carried into Italy, and practised with a peculiar charm because of the painters of this quattrocento and cinquecento. The Daddy of the modern-day art of wood-engraving is Thomas Bewick of Newcastle, The United Kingdomt (1753–1828). Previous to his time the rehearse had been mainly in black line, which, a drawing in black outlines was made upon the block therefore the portions for the area maybe not moved because of the draftsman were cut-away by the engraver. Bewick established the ascendancy of white range, this is certainly, the cut made by the engravers' resources. This change in viewpoint greatly increased the effectiveness and artistic interest associated with the imprinted block. The concepts of Bewick have now been acknowledged by all modern engravers whose interest is imaginative in place of commercial. Such as the scenario of engraving on copper and metallic, the introduction of wood-engraving today has-been great, but bit happens to be put into the fundamental maxims set up by the older masters.
    • An engraved printing-plate made by this process. See photo-engraving and photogravure.
    • a block or dish or other hard surface which has been etched
    • a print created from an engraving
    • making etched or etched dishes and printing designs from them
  • verb:
    • Present participle of engrave.
    • provide participle of engrave.
    • provide participle of engrave.

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  • Definition for "engraving"
    • The art or technique of one that engraves.
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