The technique of using light and shade in pictorial representation.
The arrangement of light and dark elements in a pictorial thing of beauty.
A woodcut strategy for which a few blocks are acclimatized to print different tones of a color.
A woodcut printing produced by this system.
An artistic technique created throughout the Renaissance, discussing the application of exaggerated light contrasts in order to create the illusion of volume.
A monochrome picture made by making use of a number of different tones of the same color.
The use of obstructs of lumber of different colors in a woodcut.
A photographic technique in which one part of a face (for example) is well-lit while the other is within shadow.
The arrangement of light and dark parts in a-work of art, eg a drawing or artwork, whether in monochrome or in shade.
The art or training of therefore arranging the light and dark components concerning produce a harmonious effect. Cf. clair-obscur.
Light and tone; specifically, the typical circulation of light and color in an image, whether coated, attracted, or engraved— this is certainly, the blended effectation of all its lights, shadows, and reflections. Purely speaking, however, every object on which light hits features its own chiaroscuro.
A drawing in black-and-white.
A method of printing engravings from a number of blocks representing lighter and darker shades, made use of especially in the fifteenth and sixteenth centuries; additionally, an engraving therefore printed.
a mode of artwork on enameled pottery practised by the Italian potters.
a monochrome image created by using many different colors of the same shade